{"id":10226,"date":"2018-03-27T22:14:55","date_gmt":"2018-03-27T20:14:55","guid":{"rendered":"https:\/\/97irratia.info\/?p=10226"},"modified":"2018-03-27T22:14:55","modified_gmt":"2018-03-27T20:14:55","slug":"la-musica-de-las-peliculas-de-tarantino-parte-ii","status":"publish","type":"post","link":"https:\/\/97irratia.info\/en\/2018\/03\/27\/la-musica-de-las-peliculas-de-tarantino-parte-ii\/","title":{"rendered":"La m\u00fasica de las pel\u00edculas de Tarantino (parte II)"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\"><span \/> <\/p><p>En esta segunda (y \u00faltima) parte dedicada a las m\u00fasicas de las pel\u00edculas de Tarantino iniciamos en Kill Bill (donde lo dejamos) y avanzamos por la no muy interesante Death proof, y las muy recomendables Malditos Bastardos y Django Desencadenado. Acabaremos con los Gloriosos Ocho, donde Tarantino consigue, por fin, que su h\u00e9roe el m\u00edtico Ennio Morricone le componga una banda sonora. Sonar\u00e1n, adem\u00e1s de las composiciones de Morricone, temas de April March, The Coasters, David Bowie&#8230;.<\/p>\n<p>La semana que viene, m\u00e1s cosas.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"sc_fancy_player_container\"><audio class=\"wp-audio-shortcode\" id=\"audio-10226-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/archive.org\/download\/Aranasdemarte133\/Aran%CC%83asdemarte%20133.mp3?_=1\" \/><a href=\"https:\/\/archive.org\/download\/Aranasdemarte133\/Aran%CC%83asdemarte%20133.mp3\">https:\/\/archive.org\/download\/Aranasdemarte133\/Aran%CC%83asdemarte%20133.mp3<\/a><\/audio><\/div>\n<p><a href=\"https:\/\/archive.org\/download\/Aranasdemarte133\/Aran%CC%83asdemarte%20133.mp3\" download=\"true\" target=\"_blank\"><i class=\"fa fa-download\" aria-hidden=\"true\"><\/i> Download this podcast<\/a><\/p>\n<p><!--more--><\/p>\n<p>Hemos escuchado:<\/p>\n<ul>\n<li>Lily chou-chou&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; Kaifuku suru kizu<\/li>\n<li>The 5, 6, 7, 8s&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;- Woo Hoo<\/li>\n<li>Tomyasu Hotei&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211; New battles without honor and humanity<\/li>\n<li>Ennio Morricone&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; L`arena<\/li>\n<li>The Coasters&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211; Down in Mexico<\/li>\n<li>April March&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; Chick Habit<\/li>\n<li>David Bowie&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211; Cat people<\/li>\n<li>Ennio Morricone&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; La Resa<\/li>\n<li>Ennio Morricone&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; Elisa<\/li>\n<li>Louis Bacalov y Rocky Roberts&#8212;&#8211; Django<\/li>\n<li>Ennio Morricone&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; The braying mule<\/li>\n<li>Ennio Morricone&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; Anchora qui<\/li>\n<li>Ennio Morricone&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; L`ultima diligenzia di Red Rock<\/li>\n<li>Johnny Kid and the Pirates&#8212;&#8212;&#8212; Shaking all over<\/li>\n<\/ul>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>En esta segunda (y \u00faltima) parte dedicada a las m\u00fasicas de las pel\u00edculas de Tarantino iniciamos en Kill Bill (donde lo dejamos) y avanzamos por la no muy interesante Death proof, y las muy recomendables Malditos Bastardos y Django Desencadenado. Acabaremos con los Gloriosos Ocho, donde Tarantino consigue, por fin, que su h\u00e9roe el m\u00edtico&#8230;<\/p>\n","protected":false},"author":30,"featured_media":10227,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[1950,1913],"class_list":["post-10226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-irratsaioak","tag-morricone","tag-tarantino"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La m\u00fasica de las pel\u00edculas de Tarantino (parte II) - 97.0 Irrati Librea<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/97irratia.info\/es\/2018\/03\/27\/la-musica-de-las-peliculas-de-tarantino-parte-ii\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La m\u00fasica de las pel\u00edculas de Tarantino (parte II) - 97.0 Irrati Librea\" \/>\n<meta property=\"og:description\" content=\"En esta segunda (y \u00faltima) parte dedicada a las m\u00fasicas de las pel\u00edculas de Tarantino iniciamos en Kill Bill (donde lo dejamos) y avanzamos por la no muy interesante Death proof, y las muy recomendables Malditos Bastardos y Django Desencadenado. Acabaremos con los Gloriosos Ocho, donde Tarantino consigue, por fin, que su h\u00e9roe el m\u00edtico...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/97irratia.info\/es\/2018\/03\/27\/la-musica-de-las-peliculas-de-tarantino-parte-ii\/\" \/>\n<meta property=\"og:site_name\" content=\"97.0 Irrati Librea\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/laurogeitahamazazpi.irratia\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-27T20:14:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/97irratia.info\/wp-content\/uploads\/2018\/03\/Unknown-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"276\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ara\u00f1as de Marte\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ara\u00f1as de Marte\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/97irratia.info\\\/es\\\/2018\\\/03\\\/27\\\/la-musica-de-las-peliculas-de-tarantino-parte-ii\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/97irratia.info\\\/es\\\/2018\\\/03\\\/27\\\/la-musica-de-las-peliculas-de-tarantino-parte-ii\\\/\"},\"author\":{\"name\":\"Ara\u00f1as de Marte\",\"@id\":\"https:\\\/\\\/97irratia.info\\\/#\\\/schema\\\/person\\\/b623b9f1c7560868167d5f2531e53257\"},\"headline\":\"La m\u00fasica de las pel\u00edculas de Tarantino (parte II)\",\"datePublished\":\"2018-03-27T20:14:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/97irratia.info\\\/es\\\/2018\\\/03\\\/27\\\/la-musica-de-las-peliculas-de-tarantino-parte-ii\\\/\"},\"wordCount\":190,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/97irratia.info\\\/es\\\/2018\\\/03\\\/27\\\/la-musica-de-las-peliculas-de-tarantino-parte-ii\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/97irratia.info\\\/wp-content\\\/uploads\\\/2018\\\/03\\\/Unknown-1.jpg\",\"keywords\":[\"Morricone\",\"Tarantino\"],\"articleSection\":[\"Radio shows\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/97irratia.info\\\/es\\\/2018\\\/03\\\/27\\\/la-musica-de-las-peliculas-de-tarantino-parte-ii\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/97irratia.info\\\/es\\\/2018\\\/03\\\/27\\\/la-musica-de-las-peliculas-de-tarantino-parte-ii\\\/\",\"url\":\"https:\\\/\\\/97irratia.info\\\/es\\\/2018\\\/03\\\/27\\\/la-musica-de-las-peliculas-de-tarantino-parte-ii\\\/\",\"name\":\"La m\u00fasica de las pel\u00edculas de Tarantino (parte II) - 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La forma de hacer todo esto se canaliza a trav\u00e9s de m\u00faltiples secciones sin periodicidad concreta: M\u00e9teles ca\u00f1a (para descubrir canciones de lucha y reivindicaci\u00f3n), Sin voz (temas instrumentales), Ra\u00edces (or\u00edgenes de las canciones o estilos), Solos de una nota (canciones con solos de una sola nota), Canciones con coda (temas que resurgen de manera distinta), Rock prog que s\u00ed (reivindicando el rock progresivo), Hilando fino (un recorrido loco que nos lleva desde un punto de partida musical hasta otro muy insospechado), Historias de aqu\u00ed (dedicado a las bandas vascas) \u2026 Lo que s\u00ed tenemos es dos secciones cuasi-fijas que son la de Noticias y la de peticiones de la gente. Para las peticiones (y para cualquier comentario o lo que sea) tenemos nuestro mail: aranasdemarte@gmail.com. Adem\u00e1s, solemos hacer entrevistas con gentes de la m\u00fasica y la cultua (m\u00fasicxs, productorxs, due\u00f1xs de tiendas de discos, m\u00fasicxs callejeros, escritorxs, dibujantes\u2026) y de movimientos sociales (relacionando sus actividades y luchas con la m\u00fasica).\",\"url\":\"https:\\\/\\\/97irratia.info\\\/en\\\/author\\\/armiarmak\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La m\u00fasica de las pel\u00edculas de Tarantino (parte II) - 97.0 Irrati Librea","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/97irratia.info\/es\/2018\/03\/27\/la-musica-de-las-peliculas-de-tarantino-parte-ii\/","og_locale":"en_US","og_type":"article","og_title":"La m\u00fasica de las pel\u00edculas de Tarantino (parte II) - 97.0 Irrati Librea","og_description":"En esta segunda (y \u00faltima) parte dedicada a las m\u00fasicas de las pel\u00edculas de Tarantino iniciamos en Kill Bill (donde lo dejamos) y avanzamos por la no muy interesante Death proof, y las muy recomendables Malditos Bastardos y Django Desencadenado. 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Un programa para recordar viejas canciones conocidas, pero tambi\u00e9n para descubrir aquellas que pasaron desapercibidas y otear las nuevas propuestas. As\u00ed que , por convicci\u00f3n, no nos ce\u00f1imos a un solo estilo y \u00e9poca. Aunque se nos ve el plumero en nuestras preferencias hacia el rock y las m\u00fasicas negras, no le hacemos ascos al pop, la electr\u00f3nica o las m\u00fasicas del mundo. La forma de hacer todo esto se canaliza a trav\u00e9s de m\u00faltiples secciones sin periodicidad concreta: M\u00e9teles ca\u00f1a (para descubrir canciones de lucha y reivindicaci\u00f3n), Sin voz (temas instrumentales), Ra\u00edces (or\u00edgenes de las canciones o estilos), Solos de una nota (canciones con solos de una sola nota), Canciones con coda (temas que resurgen de manera distinta), Rock prog que s\u00ed (reivindicando el rock progresivo), Hilando fino (un recorrido loco que nos lleva desde un punto de partida musical hasta otro muy insospechado), Historias de aqu\u00ed (dedicado a las bandas vascas) \u2026 Lo que s\u00ed tenemos es dos secciones cuasi-fijas que son la de Noticias y la de peticiones de la gente. Para las peticiones (y para cualquier comentario o lo que sea) tenemos nuestro mail: aranasdemarte@gmail.com. Adem\u00e1s, solemos hacer entrevistas con gentes de la m\u00fasica y la cultua (m\u00fasicxs, productorxs, due\u00f1xs de tiendas de discos, m\u00fasicxs callejeros, escritorxs, dibujantes\u2026) y de movimientos sociales (relacionando sus actividades y luchas con la m\u00fasica).","url":"https:\/\/97irratia.info\/en\/author\/armiarmak\/"}]}},"_links":{"self":[{"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/posts\/10226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/comments?post=10226"}],"version-history":[{"count":3,"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/posts\/10226\/revisions"}],"predecessor-version":[{"id":10231,"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/posts\/10226\/revisions\/10231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/media\/10227"}],"wp:attachment":[{"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/media?parent=10226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/categories?post=10226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/97irratia.info\/en\/wp-json\/wp\/v2\/tags?post=10226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}