{"id":30306,"date":"2024-09-20T14:30:02","date_gmt":"2024-09-20T12:30:02","guid":{"rendered":"https:\/\/97irratia.info\/?p=30306"},"modified":"2025-06-10T10:42:53","modified_gmt":"2025-06-10T08:42:53","slug":"playlist-35-septiembre-2024","status":"publish","type":"post","link":"https:\/\/97irratia.info\/en\/2024\/09\/20\/playlist-35-septiembre-2024\/","title":{"rendered":"PLAYLIST # 35. Septiembre 2024"},"content":{"rendered":"

<\/p>\n

\"\"<\/a>

Francoise Hardy en Nueva York para promocionar su \u00e1lbum \u201cThe Yeh-Yeh Girl From Paris!\u201d<\/em>. Primavera de 1965. \u00a9AFP<\/strong>
\u201cDesde el principio, hubo algo en Fran\u00e7oise Hardy<\/strong> que la distingui\u00f3, que hizo que los hombres se enamorasen en masa de su t\u00edmida belleza. Mick Jagger<\/strong> la describi\u00f3 como su mujer ideal. David Bowie<\/strong>, reconoci\u00f3 haber estado apasionadamente enamorado de ella durante a\u00f1os, llegando a cortejarla entre bastidores. En 1964, las notas de la contraportada de \u201cAnother Side of Bob Dylan\u201d inclu\u00edan un poema completo titulado, \u201cFor Fran\u00e7oise Hardy\/At the Seine\u2019s edge\u201d. Dos a\u00f1os despu\u00e9s, al acabar un concierto de Dylan<\/strong> en el Olympia Music Hall de Par\u00eds, este invit\u00f3 a la cantante a una fiesta en su suite del George V, uno de los hoteles m\u00e1s lujosos de la capital. En su dormitorio, le puso dos temas de \u201cBlonde on Blonde\u201d: \u201cJust Like a Woman\u201d y \u201cI Want You\u201d. Hardy<\/strong> siempre insisti\u00f3 en que estaba tan deslumbrada por la m\u00fasica de Bob Dylan<\/strong> que nunca entendi\u00f3 el mensaje\u201d.<\/em>
Jon Henley. \u201cFran\u00e7oise Hardy obituary\u201d<\/em>. The Guardian, junio de 2024.<\/p><\/div>\n

\u201c…Los colegios estaban cerrados y sus puertas solo se abr\u00edan a las horas de la entrada y la salida, lugares de un comercio prehist\u00f3rico y animal. Hab\u00eda zonas cubiertas que burlaban la lluvia \u00e1cida. Lugares creados para no perderse en la bruma fr\u00eda y eterna de las ma\u00f1anas sin uso. No hab\u00eda nada en el interior de los edificios que sab\u00edamos de cart\u00f3n piedra, levantados tan solo para dibujar las calles, nuestros patios de recreo. Estaban vac\u00edos los museos y las casas, las universidades y los centros de acogida. Vac\u00edos estaban los bares cuyas luces en las fachadas eran de mentira como lo son en los videojuegos. Solo hab\u00eda calles que se perd\u00edan en una r\u00eda negra y opaca, cajeros autom\u00e1ticos y portales, quioscos de m\u00fasica y parkings cubiertos por el loco entramado de la autopista flotante…\u201d<\/em>
\n\u201cUn tal Cangrejo\u201d<\/em>. Guillermo Aguirre. Editorial Sexto Piso. 2022<\/p>\n

Poco a poco, las grandes ciudades se est\u00e1n convirtiendo en tierra de nadie, en unos paisajes inh\u00f3spitos, carentes de alma, en los que siempre se repiten los mismos estereotipos como si saliesen de las tripas de una fotocopiadora gigantesca. Empieza a dar lo mismo Londres, que Par\u00eds, Bilbao o Estocolmo: Terrazas atestadas, maletas que hacen un ruido infernal en su carrera sobre los adoquines en busca del piso tur\u00edstico, tiendas cl\u00f3nicas que venden los mismos productos y abrevaderos de comida basura ocupan todo el espacio que abarca nuestra vista, como si fuesen peque\u00f1as poblaciones de un juego de los Sims.
\nEn ORIGINAL Y COPIA<\/strong> no queremos que la uniformidad acabe con la imaginaci\u00f3n. Por eso, mes tras mes, buscamos y rebuscamos en nuestros archivos hasta encontrar las m\u00fasicas m\u00e1s sorprendentes, m\u00e1s peculiares; las que mejor se escapan del t\u00f3pico. Versiones como estas de Saint Etienne<\/strong>, Fran\u00e7oise Hardy<\/strong>, Los Ronaldos<\/strong>, Lush <\/strong>o R.E.M.<\/strong> que aqu\u00ed os ofrecemos con la esperanza de que, aunque sea por unos cuantos minutos, os ayuden a escapar de la odiosa sensaci\u00f3n de encasillamiento que en ocasiones sentimos los urbanitas.<\/p>\n

https:\/\/ia600103.us.archive.org\/8\/items\/original-y-copia-35-septiembre-24\/Original%20y%20Copia%2035%20%28septiembre%2024%29.mp3<\/a><\/audio><\/div>\n

<\/i> Download this podcast<\/a><\/p>\n

01
\nTema: \u201cDon’t Look Back In Anger\u201d
\nAutor versi\u00f3n: Devendra Banhart
\n\u00c1lbum: \u201cIndependents Day ID08\u201d. 2008
\nT\u00edtulo original: \u201cDon’t Look Back In Anger\u201d
\nAutor: Oasis
\nAlbum: (What’s the Story) Morning Glory? 1995
\nDuraci\u00f3n: 3\u2019.52\u201d<\/p>\n

02
\nTema: \u201cFor Love\u201d
\nAutor versi\u00f3n: Hinterland
\n\u00c1lbum: \u201cThe Picture Plane\u201d. 2006
\nT\u00edtulo original: \u201cFor Love\u201d
\nAutor: Lush
\n\u00c1lbum: \u201cSpooky\u201d. 1992
\nDuraci\u00f3n: 3\u2019.53\u201d<\/p>\n

03
\nTema: \u201cTu nombre me sabe a yerba\u201d
\nAutor versi\u00f3n: Antonio Flores
\n\u00c1lbum: \u201cTu nombre me sabe a yerba\u201d (SG). 1995
\nT\u00edtulo original: \u201cTu nombre me sabe a yerba\u201d
\nAutor: Joan Manuel Serrat
\n\u00c1lbum: \u201cLa Paloma\u201d. 1969
\nDuraci\u00f3n: 3\u2019.44\u201d<\/p>\n

04
\nTema: \u201cEverybody Hurts\u201d
\nAutor versi\u00f3n: Marillion
\n\u00c1lbum: \u201cSession Acoustique: O\u00fci FM\u201d. 2013
\nT\u00edtulo original: \u201cEverybody Hurts\u201d
\nAutor: R.E.M.
\n\u00c1lbum: \u201cAutomatic for the People\u201d. 1992
\nDuraci\u00f3n: 5\u2019.03\u201d<\/p>\n

05
\nTema: \u201cLe Temps De L’Amour\u201d
\nAutor versi\u00f3n: Vanessa Paradis
\n\u00c1lbum: \u201cUne nuit \u00e0 Versailles\u201d. 2010
\nT\u00edtulo original: \u201cLe Temps De L’Amour\u201d
\nAutor: Fran\u00e7oise Hardy
\n\u00c1lbum: \u201cLe Temps De L’Amour\u201d (SG). 1963
\nDuraci\u00f3n: 3\u2019.16\u201d<\/p>\n

06
\nTema: \u201cDestrozado\u201d
\nAutor versi\u00f3n: Los Bluyines
\n\u00c1lbum: \u201cTodos le debemos algo: Homenaje a los Stones\u201d. 2015
\nT\u00edtulo original: \u201cShattered\u201d
\nAutor: The Rolling Stones
\n\u00c1lbum: \u201cSome Girls\u201d. 1978
\nDuraci\u00f3n: 3\u2019.20\u201d<\/p>\n

07
\nTema: \u201cA Good Thing\u201d
\nAutor versi\u00f3n: The Zig Zag Forever
\n\u00c1lbum: \u201cPRF Monthly Tribute Series: Saint Etienne\u201d. 2023
\nT\u00edtulo original: \u201cA Good Thing\u201d
\nAutor: Saint Etienne
\n\u00c1lbum: \u201cTales From Turnpike House\u201d. 2005
\nDuraci\u00f3n: 3\u2019.57\u201d<\/p>\n

08
\nTema: \u201cRoute 66\u201d
\nAutor versi\u00f3n: The Brian Setzer Orchestra
\n\u00c1lbum: \u201cThe Brian Setzer Orchestra\u201d. 1994
\nT\u00edtulo original: \u201cRoute 66\u201d
\nAutor: Nat King Cole Trio
\n\u00c1lbum: \u201cRoute 66\u201d (SG). 1946
\nDuraci\u00f3n: 4\u2019.01\u201d<\/p>\n

09
\nTema: \u201cNo puedo vivir sin ti\u201d
\nAutor versi\u00f3n: Jazzm\u00e0tiks
\n\u00c1lbum: \u201cJazzm\u00e0tiks\u201d. 2019
\nT\u00edtulo original: \u201cNo puedo vivir sin ti\u201d
\nAutor: Los Ronaldos
\n\u00c1lbum: \u201c4 Canciones\u201d (EP). 2007
\nDuraci\u00f3n: 4\u2019.17\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c…Los colegios estaban cerrados y sus puertas solo se abr\u00edan a las horas de la entrada y la salida, lugares de un comercio prehist\u00f3rico y animal. Hab\u00eda zonas cubiertas que burlaban la lluvia \u00e1cida. Lugares creados para no perderse en la bruma fr\u00eda y eterna de las ma\u00f1anas sin uso. No hab\u00eda nada en el…<\/p>\n","protected":false},"author":2896,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,1170],"tags":[13130,13199,485,7471,13869,8539,160,6033,8728],"class_list":["post-30306","post","type-post","status-publish","format-standard","hentry","category-irratsaioak","category-musika","tag-covers","tag-indie","tag-jazz","tag-pop","tag-protest-song","tag-punk","tag-rock","tag-soul","tag-versiones"],"yoast_head":"\nPLAYLIST # 35. 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