{"id":32931,"date":"2025-03-21T14:05:20","date_gmt":"2025-03-21T13:05:20","guid":{"rendered":"https:\/\/97irratia.info\/?p=32931"},"modified":"2025-06-10T10:30:32","modified_gmt":"2025-06-10T08:30:32","slug":"playlist-48-marzo-2025","status":"publish","type":"post","link":"https:\/\/97irratia.info\/en\/2025\/03\/21\/playlist-48-marzo-2025\/","title":{"rendered":"PLAYLIST # 48. Marzo 2025"},"content":{"rendered":"

<\/p>\n

\"\"<\/a>

Joy Division en el concierto de inauguraci\u00f3n del club “The Factory”. Manchester, junio de 1978.<\/strong>
\u201cTodo el mundo dice que nuestras letras eran oscuras y pesadas. Con bastante frecuencia me preguntan por qu\u00e9. La \u00fanica respuesta que puedo dar es que el lugar donde viv\u00eda de chico, donde ten\u00eda mis recuerdos m\u00e1s felices, desapareci\u00f3. Todo lo que qued\u00f3 fue una vieja planta qu\u00edmica. Me di cuenta de que nunca iba a poder volver atr\u00e1s, recuperar esa felicidad. Solo quedava el vac\u00edo. Para m\u00ed, Joy Division<\/strong> era la imagen de la muerte de mi comunidad y de mi infancia. Algo completamente irrecuperable\u201d.<\/em>
\u201cBernard Sumner: Confusion \u2013 Joy Division, Electronic and New Order Versus the World\u201d<\/em>. David Nolan. Independent Music Press, 2007<\/p><\/div>\n

\u201cNo estoy hablando de destino ni de historia. El pasado y el futuro nos son ajenos. No obramos porque haya un futuro, ni porque sepamos que va a haberlo. Pero el hombre cambia. Es caracter\u00edstica suya descubrir y controlar, y el mundo no sigue siendo el mismo durante mucho tiempo, una vez que el hombre se ha puesto manos a la obra. Consideren lo que ha hecho, a pesar del caos pol\u00edtico y econ\u00f3mico en que ha vivido siempre. Y esa caracter\u00edstica sobrevivir\u00e1 en toda comunidad pr\u00f3spera. Debe sobrevivir si la comunidad no quiere que otras culturas menos competentes se pongan por encima de ella\u201d.<\/em>
\nB.F. Skinner<\/strong>. \u201cWalden Dos\u201d<\/em>. Editorial Fontanella, 1974.<\/p>\n

En realidad, nada sigue siendo lo mismo casi nunca, aunque a veces nos de la impresi\u00f3n de que no paramos de dar vueltas y vueltas dentro de un perenne \u201cD\u00e9j\u00e0<\/em> vu\u201d<\/em>. No solemos ser conscientes de la cantidad de cosas importantes que nos preceden y que, aunque hoy no nos atrevamos a darles la importancia que se merecen, quiz\u00e1s estemos contribuyendo a trasmitirlas, como si se tratase de un imperceptible rastro de migas de pan en el bosque.
\nORIGINAL Y COPIA<\/strong> solo pretende que sean las canciones y sus int\u00e9rpretes quienes pervivan. Algo que ya han hecho Blind Boy Fuller<\/strong>, Fran\u00e7oise Hardy<\/strong>, John Lee Hooker<\/strong> o Ian Curtiss<\/strong>. Voces todas que han conseguido pasar a formar parte de una historia \u2014que si no lo impide cualquier cataclismo\u2014 ser\u00e1 seguramente\u00a0 recordada mucho despu\u00e9s de que la mayor parte de nosotros, pobres mortales, vaguemos sin rumbo fijo por el cosmos: A eso le llaman, la magia de la m\u00fasica (and we like it).<\/p>\n

https:\/\/ia600809.us.archive.org\/35\/items\/original-y-copia-48-marzo-25\/Original%20y%20Copia%2048%20%28marzo%2025%29.mp3<\/a><\/audio><\/div>\n

<\/i> Download this podcast<\/a><\/p>\n

01
\nTema: \u201cWith or Without You\u201d
\nAutor versi\u00f3n: The Walls
\n\u00c1lbum: \u201cEven Better Than the Real Thing\u201d. 2005
\nT\u00edtulo original: \u201cWith or Without You\u201d
\nAutor: U2
\nAlbum: \u201cThe Joshua Tree\u201d. 1987
\nDuraci\u00f3n: 3\u2019.52\u201d<\/p>\n

02
\nTema: \u201cNadie encuentra lo que busca\u201d
\nAutor versi\u00f3n: Quique Gonzalez (feat. Javier de Torres)
\n\u00c1lbum: \u201cPartiendo de Cero: El homenaje a 091\u201d. 2002
\nT\u00edtulo original: \u201cNadie encuentra lo que busca\u201d
\nAutor: 091
\n\u00c1lbum: \u201cCanciones sin Piedad\u201d. 1989
\nDuraci\u00f3n: 2\u2019.31\u201d<\/p>\n

03
\nTema: \u201cAu Fond D’un R\u00eave Dor\u00e9\u201d
\nAutor versi\u00f3n: Nada Surf
\n\u00c1lbum: \u201cThe weight is a gift\u201d. 2005
\nT\u00edtulo original: \u201cAu Fond D’un R\u00eave Dor\u00e9\u201d
\nAutor: Fran\u00e7oise Hardy
\n\u00c1lbum: \u201cVoil\u00e0 \/ Au Fond Du R\u00eave Dor\u00e9\u201d (SG). 1967
\nDuraci\u00f3n: 2\u2019.05\u201d<\/p>\n

04
\nTema: \u201cKeep on Truckin’\u201d
\nAutor versi\u00f3n: Hot Tuna
\n\u00c1lbum: \u201cBurgers\u201d. 1972
\nT\u00edtulo original: \u201cTruckin’ My Blues Away\u201d
\nAutor: Blind Boy Fuller
\n\u00c1lbum: \u201cTruckin’ My Blues Away\u201d (SG). 1935
\nDuraci\u00f3n: 3\u2019.43\u201d<\/p>\n

05
\nTema: \u201cAl Amanecer\u201d
\nAutor versi\u00f3n: Jordana B.
\n\u00c1lbum: \u201cAl Amanecer\u201d (SG). 2024
\nT\u00edtulo original: \u201cAl Amanecer\u201d
\nAutor: Los Fresones Rebeldes
\n\u00c1lbum: \u201c\u00a1Es que no hay manera!\u201d. 1997
\nDuraci\u00f3n: 3\u2019.11\u201d<\/p>\n

06
\nTema: \u201cBack to you\u201d
\nAutor versi\u00f3n: The Pictures
\n\u00c1lbum: \u201cBetter than words\u201d. 2001
\nT\u00edtulo original: \u201cBack to you\u201d
\nAutor: Matthew Sweet
\n\u00c1lbum: \u201cBlue Sky on Mars\u201d. 1997
\nDuraci\u00f3n: 2\u2019.43\u201d<\/p>\n

07
\nTema: \u201cPara La Libertad\u201d
\nAutor versi\u00f3n: Manolo Garc\u00eda
\n\u00c1lbum: \u201cSerrat eres \u00fanico 2\u201d. 2005
\nT\u00edtulo original: \u201cPara La Libertad\u201d
\nAutor: Joan Manuel Serrat
\n\u00c1lbum: \u201cMiguel Hern\u00e1ndez\u201d. 1972
\nDuraci\u00f3n: 3\u2019.14\u201d<\/p>\n

08
\nTema: \u201cLove Will Tear Us Apart\u201d
\nAutor versi\u00f3n: Jos\u00e9 Gonz\u00e1lez
\n\u00c1lbum: \u201cIndependents Day ID08\u201d. 2008
\nT\u00edtulo original: \u201cLove Will Tear Us Apart\u201d
\nAutor: Joy Division
\n\u00c1lbum: \u201cLove Will Tear Us Apart\u201d (SG). 1980
\nDuraci\u00f3n: 3\u2019.05\u201d<\/p>\n

09
\nTema: \u201cBefore I came\u201d
\nAutor versi\u00f3n: Majestic
\n\u00c1lbum: \u201cLive it up\u201d. 1999
\nT\u00edtulo original: \u201cBefore I came\u201d
\nAutor: Club 8
\n\u00c1lbum: \u201cNouvelle\u201d. 1996
\nDuraci\u00f3n: 3\u2019.39\u201d<\/p>\n

10
\nTema: \u201cOne Bourbon, One Scotch, One Beer\u201d
\nAutor versi\u00f3n: John Lee Hooker
\n\u00c1lbum: \u201cThe real folk blues\u201d. 1966
\nT\u00edtulo original: \u201cOne Bourbon, One Scotch, One Beer\u201d
\nAutor: Amos Milburn
\n\u00c1lbum: \u201cOne Bourbon, One Scotch, One Beer\u201d (SG). 1953
\nDuraci\u00f3n: 3\u2019.00\u201d<\/p>\n

11
\nTema: \u201cSemilla Negra\u201d
\nAutor versi\u00f3n: Marlango
\n\u00c1lbum: \u201cArde la calle\u201d.
\nT\u00edtulo original: \u201cSemilla Negra\u201d
\nAutor: Radio Futura
\n\u00c1lbum: \u201cLa ley del desierto \/ La ley del mar\u201d. 1984
\nDuraci\u00f3n: 4\u2019.34\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cNo estoy hablando de destino ni de historia. El pasado y el futuro nos son ajenos. No obramos porque haya un futuro, ni porque sepamos que va a haberlo. Pero el hombre cambia. Es caracter\u00edstica suya descubrir y controlar, y el mundo no sigue siendo el mismo durante mucho tiempo, una vez que el hombre…<\/p>\n","protected":false},"author":2896,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,1170],"tags":[13130,13199,485,7471,13869,8539,160,6033,8728],"class_list":["post-32931","post","type-post","status-publish","format-standard","hentry","category-irratsaioak","category-musika","tag-covers","tag-indie","tag-jazz","tag-pop","tag-protest-song","tag-punk","tag-rock","tag-soul","tag-versiones"],"yoast_head":"\nPLAYLIST # 48. Marzo 2025 - 97.0 Irrati Librea<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/97irratia.info\/2025\/03\/21\/playlist-48-marzo-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PLAYLIST # 48. Marzo 2025 - 97.0 Irrati Librea\" \/>\n<meta property=\"og:description\" content=\"\u201cNo estoy hablando de destino ni de historia. El pasado y el futuro nos son ajenos. No obramos porque haya un futuro, ni porque sepamos que va a haberlo. Pero el hombre cambia. 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