{"id":35732,"date":"2026-03-06T14:15:37","date_gmt":"2026-03-06T13:15:37","guid":{"rendered":"https:\/\/97irratia.info\/?p=35732"},"modified":"2026-03-07T16:52:01","modified_gmt":"2026-03-07T15:52:01","slug":"playlist-71-marzo-2026","status":"publish","type":"post","link":"https:\/\/97irratia.info\/en\/2026\/03\/06\/playlist-71-marzo-2026\/","title":{"rendered":"PLAYLIST # 71. Marzo 2026"},"content":{"rendered":"

<\/p>\n

\"\"<\/a>

Paul Simon (izquierda) y Art Garfunkel, cuando se llamaban Tom & Jerry, posando para un retrato promocional de la discogr\u00e1fica Big Records para su disco sencillo de debut, \u201cHey, Schoolgirl\/Dancin’ Wild\u201d<\/em>. Nueva York, 1957.<\/strong>
\u201cEl \u00e9xito de Paul Simon<\/strong> y Art Garfunkel<\/strong> lleg\u00f3 de una forma tan r\u00e1pida como fugaz, ya que en 1957, cuando ambos ten\u00edan solo 16 a\u00f1os y se hac\u00eda llamar Tom & Jerry<\/strong>, tuvieron la suerte de que el empresario Sid Prosen, propietario de Big Records, los escuchase cantar mientras hac\u00edan una grabaci\u00f3n autofinanciada de \u00abHey schoolgirl\u00bb. Aquel tema, escrito por la pareja, gust\u00f3 tanto al productor que les propuso firmar un contrato.<\/em>
Cuando se public\u00f3 aquel primer sencillo de Tom & Jerry<\/strong>, Alan Freed , el disc jockey que populariz\u00f3 el t\u00e9rmino Rock N Roll , dio a conocer \u00abHey Schoolgirl\u00bb en WINS, su influyente programa de radio en la CBS, y en cuesti\u00f3n de pocos d\u00edas la canci\u00f3n subi\u00f3 hasta el puesto 49 en la lista Hot 100 de Billboard, vendiendo m\u00e1s de 100.000 copias y gan\u00e1ndo para Tom & Jerry<\/strong> un lugar en American Bandstand . Pero despu\u00e9s de aquel inesperado \u00e9xito, los dos siguientes sencillos que grabaron para Big Records fueron un aut\u00e9ntico desastre de ventas, por lo que tanto Paul Simon<\/strong> como Art Garfunkel<\/strong> decidieron empezar sus estudios universitarios y olvidarse por un tiempo de aventuras musicales\u201d.<\/em>
\u201cBookends: The Simon and Garfunkel Story\u201d<\/em>. Patrick Humphries. Proteus Books, 1982.<\/p><\/div>\n

\u201c\u2014Todo puede tener buen porvenir aqu\u00ed\u2026 El d\u00eda en que la situaci\u00f3n cambie.<\/em>
\n\u2014Nada va a cambiar.<\/em>
\n\u2014Claro. Ustedes, desde luego, no cambiar\u00e1n nada de nada. Ni unos, ni otros. Quiero decir, ni los vencedores, que se han apropiado del pa\u00eds, ni los vencidos, que pagan los platos rotos. Se necesitan los unos a los otros para vivir. \u00bfQu\u00e9 ser\u00eda usted, sin esos verdugos que lo tienen apartado de la vida? Nada. Sencillamente nada. Porque ahora, es usted un vencido, o sea, pertenece a uno de los dos bandos que conforman el sistema. Y para el sistema, mi querido profesor, es usted tan necesario como los vencedores. Pero en todo esto, \u00bfcu\u00e1l es nuestro lugar? Nosotros no hemos participado en la gran destrucci\u00f3n, nacimos despu\u00e9s del cataclismo. Y no queremos ser las v\u00edctimas de la amargura de unos y del triunfo de otros\u201d.<\/em>
\n\u201cEl cordero carn\u00edvoro\u201d<\/em>. Agust\u00edn G\u00f3mez Arcos. Editorial Cabaret Voltaire, 2015.<\/p>\n

Es evidente que lo \u00faltimo que queremos el com\u00fan de los mortales es que nos metan en fregados en los que ni hemos querido entrar ni se nos ha perdido nada en ellos. Sin embargo \u2014y mal que nos pese\u2014 no somos capaces de no aceptar o de rechazar entrar en muchos de los laberintos a los que nos abocan aquellos que por su desp\u00f3tico poder o por su desmesurado uso de la fuerza consiguen, como si fuesen abusones de patio de colegio, complicar la vida de millones y millones de personas que tan solo pas\u00e1bamos por all\u00ed.
\nYa no hay reglas ni principios; no se respetan treguas ni conciencias; es casi imposible discernir entre explotadores y corruptos: Cada vez nuestro presente se parece m\u00e1s a un tango de Disc\u00e9polo<\/strong>…
\nParece que la vaina \u2014como dir\u00edan en Cuba\u2014 va de conseguir organizarnos hasta hacer que millones de David, cada uno con su honda, seamos capaces de derribar con un certero blanco en el entrecejo a este gran Goliat que quiere sojuzgarnos hasta un punto dif\u00edcil de imaginar. El truco est\u00e1 \u2014tambi\u00e9n desde ORIGINAL Y COPIA<\/strong>\u2014 en no callarnos y denunciar la opresi\u00f3n como gritan Kaos Urbano<\/strong>; exigir la paz como susurran Simon & Garfunkel<\/strong>; rechazar la mentira como cantan Los Daikiris<\/strong> o ensalzar la belleza de lo extra\u00f1o como salmodia Mavis Staples<\/strong>. Cualquier cosa antes que dar la esperanza por perdida y soportar que el d\u00e9spota nos humille.<\/p>\n

https:\/\/ia600902.us.archive.org\/0\/items\/original-y-copia-71-marzo-26\/Original%20y%20Copia%2071%20%28marzo%2026%29.mp3<\/a><\/audio><\/div>\n

<\/i> Download this podcast<\/a><\/p>\n

01
\nTema: \u201cLast Night I Had the Strangest Dream\u201d
\nAutor versi\u00f3n: Simon & Garfunkel
\n\u00c1lbum: \u201cWednesday Morning, 3 A.M.\u201d. 1964
\nT\u00edtulo original: \u201cLast Night I Had the Strangest Dream\u201d
\nAutor: Ernie Lieberman
\nAlbum: \u201cGoodbye Mr. War\u201d. 1955
\nDuraci\u00f3n: 2\u2019.14\u201d<\/p>\n

02
\nTema: \u201cMe Siento Mucho Mejor\u201d
\nAutor versi\u00f3n: Charly Garcia
\n\u00c1lbum: \u201cFilosof\u00eda barata y zapatos de goma\u201d. 1990
\nT\u00edtulo original: \u201cI fell a whole lot better\u201d
\nAutor: The Byrds
\n\u00c1lbum: \u201cMr. Tambourine Man\u201d. 1965
\nDuraci\u00f3n: 3\u2019.02\u201d<\/p>\n

03
\nTema: \u201cWaterfalls\u201d
\nAutor versi\u00f3n: Death Cab for Cutie
\n\u00c1lbum: \u201cThe Georgia EP\u201d. 2020
\nT\u00edtulo original: \u201cWaterfalls\u201d
\nAutor: TLC
\n\u00c1lbum: \u201cCrazySexyCool\u201d. 1994
\nDuraci\u00f3n: 4\u2019.24\u201d<\/p>\n

04
\nTema: \u201cZergaitik Ez Da Egia\u201d
\nAutor versi\u00f3n: Los Daikiris
\n\u00c1lbum: \u201cLos Daikiris\u201d. 1968
\nT\u00edtulo original: \u201cCada vez que vienes a mi\u201d
\nAutor: Los Impala
\n\u00c1lbum: \u201cLos Impala Y Su M\u00fasica\u201d. 1966
\nDuraci\u00f3n: 2\u2019.32\u201d<\/p>\n

05
\nTema: \u201cPeople Get Ready\u201d
\nAutor versi\u00f3n: The Red Squares
\n\u00c1lbum: \u201cRed Squares\u201d. 1966
\nT\u00edtulo original: \u201cPeople Get Ready\u201d
\nAutor: The Impressions
\n\u00c1lbum: \u201cPeople Get Ready\u201d. 1965
\nDuraci\u00f3n: 3\u2019.00\u201d<\/p>\n

06
\nTema: \u201cTempus Fugit\u201d
\nAutor versi\u00f3n: TenMidnight
\n\u00c1lbum: \u201cTales from the Edge [A Tribute to the Music of Yes]\u201d. 2012
\nT\u00edtulo original: \u201cTempus Fugit\u201d
\nAutor: Yes
\n\u00c1lbum: \u201cDrama\u201d. 1980
\nDuraci\u00f3n: 4\u2019.37\u201d<\/p>\n

07
\nTema: \u201cComo yo te Amo\u201d
\nAutor versi\u00f3n: Los Mej\u00edas
\n\u00c1lbum: \u201cMinutos musicales\u201d. 1997
\nT\u00edtulo original: \u201cComo yo te Amo\u201d
\nAutor: Rocio Jurado
\n\u00c1lbum: \u201cSe\u00f1ora\u201d. 1979
\nDuraci\u00f3n: 2\u2019.42\u201d<\/p>\n

08
\nTema: \u201cHey Sandy\u201d
\nAutor versi\u00f3n: Surfer Blood
\n\u00c1lbum: \u201cCovers\u201d. 2017
\nT\u00edtulo original: \u201cHey Sandy\u201d
\nAutor: Polaris
\n\u00c1lbum: \u201cMusic from the Adventures of Pete & Pete\u201d. 1999
\nDuraci\u00f3n: 1\u2019.50\u201d<\/p>\n

09
\nTema: \u201cStairway to Heaven\u201d
\nAutor versi\u00f3n: Richard Cheese
\n\u00c1lbum: \u201cBlack in Black Tie\u201d. 2012
\nT\u00edtulo original: \u201cStairway to Heaven\u201d
\nAutor: Led Zeppelin
\n\u00c1lbum: \u201cLed Zeppelin IV\u201d. 1971
\nDuraci\u00f3n: 3\u2019.30\u201d<\/p>\n

10
\nTema: \u201cPunk saves Madriz\u201d
\nAutor versi\u00f3n: Kaos Urbano
\n\u00c1lbum: \u201cPunk saves Madriz\u201d. 2024
\nT\u00edtulo original: \u201cGod save the queen\u201d. 1977
\nAutor: Sex Pistols
\n\u00c1lbum: \u201cNever Mind the Bollocks, Here’s the Sex Pistols\u201d
\nDuraci\u00f3n: 2\u2019.05\u201d<\/p>\n

11
\nTema: \u201cBeautiful Strangers\u201d
\nAutor versi\u00f3n: Mavis Staples
\n\u00c1lbum: \u201cSad and Beautiful World\u201d. 2025
\nT\u00edtulo original: \u201cBeautiful Strangers\u201d
\nAutor: Kevin Morby
\n\u00c1lbum: \u201cBeautiful Strangers\/No Place to Fall\u201d (SG). 2017
\nDuraci\u00f3n: 5\u2019.58\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c\u2014Todo puede tener buen porvenir aqu\u00ed\u2026 El d\u00eda en que la situaci\u00f3n cambie. \u2014Nada va a cambiar. \u2014Claro. Ustedes, desde luego, no cambiar\u00e1n nada de nada. Ni unos, ni otros. Quiero decir, ni los vencedores, que se han apropiado del pa\u00eds, ni los vencidos, que pagan los platos rotos. Se necesitan los unos a los…<\/p>\n","protected":false},"author":2896,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,1170],"tags":[13130,13199,485,7471,13869,8539,160,6033,8728],"class_list":["post-35732","post","type-post","status-publish","format-standard","hentry","category-irratsaioak","category-musika","tag-covers","tag-indie","tag-jazz","tag-pop","tag-protest-song","tag-punk","tag-rock","tag-soul","tag-versiones"],"yoast_head":"\nPLAYLIST # 71. 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