{"id":36003,"date":"2026-04-17T14:15:27","date_gmt":"2026-04-17T12:15:27","guid":{"rendered":"https:\/\/97irratia.info\/?p=36003"},"modified":"2026-03-18T11:18:56","modified_gmt":"2026-03-18T10:18:56","slug":"playlist-74-abril-2026","status":"publish","type":"post","link":"https:\/\/97irratia.info\/en\/2026\/04\/17\/playlist-74-abril-2026\/","title":{"rendered":"PLAYLIST # 74. Abril 2026"},"content":{"rendered":"

<\/p>\n

\"\"<\/a>

Creedence Clearwater Revival en una foto para la campa\u00f1a promocional del \u00e1lbum \u201cCosmo’s Factory\u201d<\/em> (de izquierda a derecha: Tom Fogerty, John Fogerty, Stu Cook y Doug Clifford).\u00a9 Charlie Gillett, 1970.<\/strong>
\u201cLa breve etapa de C.C.R.<\/strong> como banda activa coincidi\u00f3 con los a\u00f1os en los que la m\u00fasica rock se fragmentaba e innovaba, dando lugar a todo tipo de nuevos subg\u00e9neros: Rock progresivo, Rock psicod\u00e9lico, Country rock, Glam rock, Bubblegum, Hard rock, Heavy metal, Funk rock, Power pop, Jam bands y cantautores comprometidos. El enfoque retrospectivo de Creedence<\/strong> pod\u00eda parecer poco original; sus principales h\u00e9roes no eran Bob Dylan<\/strong> o Jimi Hendrix<\/strong>, sino Little Richard<\/strong>, cuyo sonido copiaron para \u00abTravelin’ Band\u00bb, y Chuck Berry<\/strong>, cuya narrativa c\u00f3mica adapt\u00f3 Fogerty<\/strong> en \u00abIt Came Out of the Sky\u00bb. Pero lo cierto es que, al renovar para la nueva era el Rock y el Soul de la vieja escuela, ayudaron a inventar otro nuevo subg\u00e9nero, quiz\u00e1s menos conocido pero muy vigente todav\u00eda hoy: el Roots-Rock. Una gran parte de los artistas que ahora denominamos Americana podr\u00edan considerar a Creedence<\/strong> como sus antecesores\u201d<\/em>.
\u201cThe Creedence Clearwater Revival Revival\u201d<\/em>. David Cantwell. The New Yorker, agosto 2022.<\/p><\/div>\n

\u201cEn la ciudad hab\u00eda varios bares m\u00e1s, pero el Antaiek era el \u00fanico donde los clientes no se las daban de nada. No se imaginaban que eran hombres de negocios, g\u00e1nsteres, parias negros de los suburbios del otro lado del oc\u00e9ano, mu\u00f1ecas de porcelana de alguna peli porno, pol\u00edticos, tranqui-troncos al loro de las \u00faltimas tendencias mundiales, o cualquier otro modelo de los que propaga la televisi\u00f3n. No, al Antaiek iban los que quer\u00edan privar y punto. Creo que era el lugar m\u00e1s honrado en toda aquella ciudad moribunda. Y los clientes, en efecto, ten\u00edan pinta de no ver la tele. Si acaso, la antigua, la de hac\u00eda veinte o treinta a\u00f1os. Llevaban americanas y jers\u00e9is de los que yo pillaba en la v\u00eda muerta para repart\u00edrselos a las t\u00edas. Esa ropa se la hab\u00edan comprado sus mujeres y parec\u00eda que desde entonces no se la hubieran quitado\u201d<\/em>.
\n\u201cTaksim\u201d<\/em>. Andrej Stasiuk. Acantilado, 2015.<\/p>\n

\u201cBares, qu\u00e9 lugares tan gratos para conversar\u201d<\/em>, cantaba Gabinete Caligari<\/strong> all\u00e1 por 1986. De entonces a hoy ha llovido dos o tres diluvios: apenas quedan bares \u201cold skool\u201d<\/em>, la gente tiene pocas ganas de conversar y, para acabar de arreglarlo, la m\u00fasica que suena en la mayor\u00eda de los baretos resulta tan plana y tan similar que ni siquiera servir\u00eda como hilo musical de un ascensor. Es normal que surjan dudas sobre si cada minuto que pasa nos vamos convirtiendo en m\u00e1s ancianos o si es el mundo el que deber\u00eda de ir pidiendo plaza en una residencia en la que le pongan una manta sobre las rodillas y le sirvan sopitas calientes. Porque la sensaci\u00f3n de estancamiento, de inmovilidad, de falta de expectativas que produce este absurdo impasse espaciotemporal en el que residimos \u2014decir vivir, si lo pensamos fr\u00edamente, resulta un pel\u00edn pretencioso\u2014 es capaz de convertir el viejo aforismo punki, \u201cNo Future\u201d<\/em> en el mucho m\u00e1s l\u00facido y realista, \u201cNo Present\u201d<\/em>.
\nPero en ORIGINAL Y COPIA<\/strong> nos resistimos a dar nuestro brazo a torcer y seguimos, erre que erre, apostando por sonidos sustanciosos. Por eso escuchamos a Manfred Mann\u2019s Earth Band<\/strong>, Jorra Santiago<\/strong>, Robo<\/strong>, Caballero Reynaldo<\/strong>, Blitzen Trapper <\/strong>o los Monkey Rumblers<\/strong> mientras se deleitan versionando a Bruce Springsteen<\/strong>, The Cure<\/strong>, Boris Vian<\/strong>, Ilegales<\/strong>, Creedence Clearwater Revival <\/strong>o Jeanette<\/strong>. Quiz\u00e1s es que ya estamos muy mayores para modas…<\/p>\n

https:\/\/ia600603.us.archive.org\/23\/items\/original-y-copia-74-abril-26\/Original%20y%20Copia%2074%20%28abril%2026%29.mp3<\/a><\/audio><\/div>\n

<\/i> Download this podcast<\/a><\/p>\n

01
\nTema: \u201cDon’t let me be misunderstood\u201d
\nAutor versi\u00f3n: Elvis Costello
\n\u00c1lbum: \u201cKing of America\u201d. 1986
\nT\u00edtulo original: \u201cDon’t let me be misunderstood\u201d
\nAutor: Nina Simone
\nAlbum: \u201cDon’t let me be misunderstood\u201d (SG). 1964
\nDuraci\u00f3n: 3\u2019.18\u201d<\/p>\n

02
\nTema: \u201cHigh flying bird\u201d
\nAutor versi\u00f3n: Judy Henske
\n\u00c1lbum: \u201cHigh flying bird\u201d (SG). 1964
\nT\u00edtulo original: \u201cHigh flying bird\u201d
\nAutor: Billy Edd Wheeler
\n\u00c1lbum: \u201cPaper birds\u201d. 1967
\nDuraci\u00f3n: 2\u2019.58\u201d<\/p>\n

03
\nTema: \u201cTiempos nuevos, tiempos salvajes\u201d
\nAutor versi\u00f3n: Caballero Reynaldo
\n\u00c1lbum: \u201cMongolitos\u201d. 2010
\nT\u00edtulo original: \u201cTiempos nuevos, tiempos salvajes\u201d
\nAutor: Ilegales
\n\u00c1lbum: \u201cIlegales\u201d. 1982
\nDuraci\u00f3n: 2\u2019.16\u201d<\/p>\n

04
\nTema: \u201cProud Mary\u201d
\nAutor versi\u00f3n: Blitzen Trapper
\n\u00c1lbum: \u201cA blues tribute to C.C.R.\u201d. 2014
\nT\u00edtulo original: \u201cProud Mary\u201d
\nAutor: Creedence Clearwater Revival
\n\u00c1lbum: \u201cBayou country\u201d. 1969
\nDuraci\u00f3n: 3\u2019.14\u201d<\/p>\n

05
\nTema: \u201cDesertorea\u201d
\nAutor versi\u00f3n: Robo
\n\u00c1lbum: \u201cFundaci\u00f3n Robo\u201d. 2013
\nT\u00edtulo original: \u201cLe deserteur\u201d
\nAutor: Boris Vian
\n\u00c1lbum: \u201cChansons possibles et impossibles\u201d. 1956
\nDuraci\u00f3n: 3\u2019.39\u201d<\/p>\n

06
\nTema: \u201cPorque te vas\u201d
\nAutor versi\u00f3n: The Monkey Rumblers
\n\u00c1lbum: \u201cAlgo que decir B.S.O.\u201d. 2014
\nT\u00edtulo original: \u201cPorque te vas\u201d
\nAutor: Jeanette
\n\u00c1lbum: \u201cPorque te vas\u201d (SG). 1974
\nDuraci\u00f3n: 3\u2019.22\u201d<\/p>\n

07
\nTema: \u201cLet’s spend the night together\u201d
\nAutor versi\u00f3n: David Bowie
\n\u00c1lbum: \u201cAladin Sane\u201d. 1973
\nT\u00edtulo original: \u201cLet’s spend the night together\u201d
\nAutor: The Rolling Stones
\n\u00c1lbum: \u201cLet’s spend the night together\/Ruby tuesday\u201d (SG). 1967
\nDuraci\u00f3n: 3\u2019.10\u201d<\/p>\n

08
\nTema: \u201cLove’s in need of love today\u201d
\nAutor versi\u00f3n: Beverley Knight
\n\u00c1lbum: \u201cHope (War Child Album)\u201d. 2003
\nT\u00edtulo original: \u201cLove’s in need of love today\u201d
\nAutor: Stevie Wonder
\n\u00c1lbum: \u201cSongs in the key of life\u201d. 1976
\nDuraci\u00f3n: 4\u2019.33\u201d<\/p>\n

09
\nTema: \u201cCan\u00e7\u00f3 d’amor\u201d
\nAutor versi\u00f3n: Jorra Santiago
\n\u00c1lbum: \u201cMallorca love cats with the Cure\u201d. 2025
\nT\u00edtulo original: \u201cLovesong\u201d
\nAutor: The Cure
\n\u00c1lbum: \u201cDisintegration\u201d. 1989
\nDuraci\u00f3n: 3\u2019,53\u201d<\/p>\n

10
\nTema: \u201cBlinded by the light\u201d
\nAutor versi\u00f3n: Manfred Mann’s Earth Band
\n\u00c1lbum: \u201cBlinded by the light\u201d. 1976
\nT\u00edtulo original: \u201cBlinded by the light\u201d
\nAutor: Bruce Springsteen
\n\u00c1lbum: \u201cGreetings from Asbury Park, N.J.\u201d 1973
\nDuraci\u00f3n: 7\u2019.05\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cEn la ciudad hab\u00eda varios bares m\u00e1s, pero el Antaiek era el \u00fanico donde los clientes no se las daban de nada. No se imaginaban que eran hombres de negocios, g\u00e1nsteres, parias negros de los suburbios del otro lado del oc\u00e9ano, mu\u00f1ecas de porcelana de alguna peli porno, pol\u00edticos, tranqui-troncos al loro de las \u00faltimas…<\/p>\n","protected":false},"author":2896,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,1170],"tags":[13130,13199,485,7471,13869,8539,160,6033,8728],"class_list":["post-36003","post","type-post","status-publish","format-standard","hentry","category-irratsaioak","category-musika","tag-covers","tag-indie","tag-jazz","tag-pop","tag-protest-song","tag-punk","tag-rock","tag-soul","tag-versiones"],"yoast_head":"\nPLAYLIST # 74. 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