{"id":28672,"date":"2024-05-31T14:30:14","date_gmt":"2024-05-31T12:30:14","guid":{"rendered":"https:\/\/97irratia.info\/?p=28672"},"modified":"2025-06-10T10:51:53","modified_gmt":"2025-06-10T08:51:53","slug":"playlist-29-junio-2024","status":"publish","type":"post","link":"https:\/\/97irratia.info\/es\/2024\/05\/31\/playlist-29-junio-2024\/","title":{"rendered":"PLAYLIST # 29. Junio 2024"},"content":{"rendered":"

 <\/p>\n

\"\"<\/a>

Paul Weller<\/strong> y Bruce Foxton \u201cvolando\u201d<\/em> en uno de los directos de<\/strong> The Jam<\/strong>. \u201cCalifornia Ballroom\u201d<\/em>, Dunstable, UK. 30\/05\/1977.<\/strong>
El 30 de Octubre de 1982, cuando The Jam estaba en la cumbre de su \u00e9xito, con dos singles en el n\u00famero 1, otro en el 2 y un cuarto en la octava posici\u00f3n de los charts, Paul Weller<\/strong> difund\u00eda un comunicado, escrito de su pu\u00f1o y letra, que dec\u00eda as\u00ed: \u201cDirigido personalmente a nuestros fans: A finales de este a\u00f1o, The Jam<\/strong> estar\u00e1n oficialmente separados. Siento que juntos hemos conseguido todo lo que pod\u00edamos hacer como grupo; tanto a nivel musical como comercial. Acabar\u00eda odi\u00e1ndonos si termin\u00e1ramos vergonzosamente viejos, tal y como hacen muchos grupos. Quiero que terminemos con dignidad\u2026 Gracias por todo el apoyo que nos hab\u00e9is mostrado y por el gran cari\u00f1o que los tres hemos recibido y sentido. De aqu\u00ed en adelante, amor y amistad. Paul Weller<\/strong>\u201d.<\/em><\/p><\/div>\n

\u201c\u2026Pero los periodistas est\u00e1n ciegos. No me lo invento, me lo cont\u00f3 un cliente, jefe de un peri\u00f3dico: hoy en d\u00eda ya no salen de las redacciones. Con el culo en la silla, le dan al teclado para llenar p\u00e1ginas de internet. Los de la radio repiten lo que dicen los peri\u00f3dicos, y los de la tele repiten lo que dicen en la radio. Un sesenta y nueve perpetuo en el que cada cual le lame el culo al otro. Por fuerza apesta luego el aliento\u2026\u201d<\/em>
\n\u201cHermano mayor\u201d<\/em>. Mahir Guven. Editorial Navona, 2019.<\/p>\n

En \u00e9pocas como esta, en la que el bulo y la mentira quieren abrirse paso en los medios con el machete entre los dientes, a veces encuentras escrito un p\u00e1rrafo por el que habr\u00edas dado un dedo pulgar a cambio de que se te hubiesen ocurrido a ti. No se trata de ning\u00fan af\u00e1n por resultar m\u00e1s perspicaz, m\u00e1s transgresor o m\u00e1s oportuno, m\u00e1s bien es mera envidia hacia aquellos que son capaces de trasmitir de forma tan clara y contundente algo que a ti te habr\u00eda resultado casi imposible de plasmar con tanto acierto y precisi\u00f3n. As\u00ed que, cuando lo ves \u2014negro sobre blanco\u2014 es como si esas palabras llevasen esper\u00e1ndote ah\u00ed desde hace siglos, solo para que t\u00fa las reprodujeses.
\nEn ocasiones, pasa algo parecido con la m\u00fasica y cuando escuchas determinadas canciones es como si alguien un d\u00eda las hubiese interpretado solo para que t\u00fa las disfrutases. Quiz\u00e1s George Moustaki<\/strong>, Redskins<\/strong>, La Buena Vida<\/strong> o Kinkg Crimson<\/strong> llevaban a\u00f1os esperando que Julie Petri<\/strong>, Negu Gorriak<\/strong>, Tri\u00e1ngulo de Amor Bizarro<\/strong> o Celso Fonseca<\/strong> les reinterpretasen. Pero en definitiva, eso es pura metaf\u00edsica\u2026
\nDe todas maneras, por si acaso, aprovechad y escuchadlos, no vaya a ser que sus voces se arrepientan y se esfumen en la nada.<\/p>\n

https:\/\/ia600306.us.archive.org\/8\/items\/original-y-copia-29-junio-24\/Original%20y%20Copia%2029%20%28junio%2024%29.mp3<\/a><\/audio><\/div>\n

<\/i> Descargar este podcast<\/a><\/p>\n

01
\nTema: I talk To The Wind
\nAutor versi\u00f3n: Celso Fonseca
\n\u00c1lbum: \u201cThe Leblon Sessions\u201d. 2006
\nT\u00edtulo original: I talk To The Wind
\nAutor: King Crimson
\nAlbum: \u201cIn the Court of the Crimson King\u201d. 1969
\nDuraci\u00f3n: 4\u2019.06\u201d<\/p>\n

02
\nTema: \u201cFather & Son\u201d
\nAutor versi\u00f3n: The Enemy
\n\u00c1lbum: \u201cRadio 1: Established 1967\u201d. 2007
\nT\u00edtulo original: \u201cFather & Son\u201d
\nAutor: Cat Steven
\n\u00c1lbum: \u201cTea for the Tillerman\u201d. 1970
\nDuraci\u00f3n: 3\u2019.54\u201d<\/p>\n

03
\nTema: \u201cHabanera del Primer Amor\u201d
\nAutor versi\u00f3n: Sisa y Suburbano
\n\u00c1lbum: \u201cSisa y Suburbano Cantan a Vainica Doble\u201d. 2014
\nT\u00edtulo original: \u201cHabanera del Primer Amor\u201d
\nAutor: Vainica Doble
\n\u00c1lbum: \u201cHeliotropo\u201d. 1973
\nDuraci\u00f3n: 4\u2019.03\u201d<\/p>\n

04
\nTema: \u201cVotre fille \u00e0 20 ans\u201d
\nAutor versi\u00f3n: Julie Pietri
\n\u00c1lbum: \u201cAutour de Minuit\u201d. 2008
\nT\u00edtulo original: \u201cVotre fille \u00e0 20 ans\u201d
\nAutor: Georges Moustaki
\n\u00c1lbum: \u201cBobino 70\u201d. 1970
\nDuraci\u00f3n: 2\u2019.25\u201d<\/p>\n

05
\nTema: \u201cTown Called Malice\u201d
\nAutor versi\u00f3n: Ellie
\n\u00c1lbum: \u201cTown Called Malice\u201d (SG). 2020
\nT\u00edtulo original: \u201cTown Called Malice\u201d
\nAutor: The Jam
\n\u00c1lbum: \u201cThe Gift\u201d. 1982
\nDuraci\u00f3n:<\/p>\n

06
\nTema: \u201cUn actor mejicano\u201d
\nAutor versi\u00f3n: Tri\u00e1ngulo de Amor Bizarro
\n\u00c1lbum: \u201cUn actor mejicano\u201d (EP). 2021
\nT\u00edtulo original: \u201cUn actor mejicano\u201d
\nAutor: La Buena Vida
\n\u00c1lbum: \u201c\u00c1lbum\u201d. 2003
\nDuraci\u00f3n: 4\u2019.20\u201d<\/p>\n

07
\nTema: \u201cYou Angel You\u201d
\nAutor versi\u00f3n: Manfred Mann\u00b4s Earthband
\n\u00c1lbum: \u201cAngel Station\u201d. 1979
\nT\u00edtulo original: \u201cYou Angel You\u201d
\nAutor: Bob Dylan
\n\u00c1lbum: \u201cPlanet Waves\u201d. 1974
\nDuraci\u00f3n: 4\u2019.01\u201d<\/p>\n

08
\nTema: \u201cLover I Don’t Have to Love\u201d
\nAutor versi\u00f3n: Palette Knife
\n\u00c1lbum: \u201cA Monument To Commemorate Our Time\u201d. 2022
\nT\u00edtulo original: \u201cLover I Don’t Have to Love\u201d
\nAutor: Bright Eyes
\n\u00c1lbum: \u201cLifted or The Story Is in the Soil, Keep Your Ear to the Ground\u201d. 2002
\nDuraci\u00f3n: 3\u2019.24\u201d<\/p>\n

09
\nTema: \u201cEn primer plano\u201d
\nAutor versi\u00f3n: Los Grandes
\n\u00c1lbum: \u201cGu\u00eda Esencial de la Nueva Ola Espa\u00f1ola\u201d. 1997
\nT\u00edtulo original: \u201cEn primer plano\u201d
\nAutor: Los Modelos
\n\u00c1lbum: \u201cLos Modelos\u201d. 1983
\nDuraci\u00f3n: 3\u2019.28\u201d<\/p>\n

10
\nTema: \u201cUnionize\u201d
\nAutor versi\u00f3n: Negu Gorriak
\n\u00c1lbum: \u201cReds Strike The Blues (A Tribute To The Redskins)\u201d. 2005
\nT\u00edtulo original: \u201cUnionize!\u201d
\nAutor: The Redskins
\n\u00c1lbum: \u201cCNT\u201d (EP). 1983
\nDuraci\u00f3n: 3\u2019.43\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

  \u201c\u2026Pero los periodistas est\u00e1n ciegos. No me lo invento, me lo cont\u00f3 un cliente, jefe de un peri\u00f3dico: hoy en d\u00eda ya no salen de las redacciones. Con el culo en la silla, le dan al teclado para llenar p\u00e1ginas de internet. Los de la radio repiten lo que dicen los peri\u00f3dicos, y los…<\/p>\n","protected":false},"author":2896,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,1170],"tags":[13130,13199,485,7471,13869,8539,160,6033,8728],"class_list":["post-28672","post","type-post","status-publish","format-standard","hentry","category-irratsaioak","category-musika","tag-covers","tag-indie","tag-jazz","tag-pop","tag-protest-song","tag-punk","tag-rock","tag-soul","tag-versiones"],"yoast_head":"\nPLAYLIST # 29. 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